How to say "Require" in Cantonese
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喺將水泥混合物倒入地基嘅模板之前,工作人員會將鋼棒嘅電柱牢牢地放置喺預先設定嘅間隔,以便加強成品建築物嘅硬化混凝土。如果一塊鋼唔夠長,唔夠跨越所需嘅距離,工人會將兩塊鋼重疊,然後將佢哋綁埋一齊,形成一個堅固嘅接合。
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佢宗教嘅聖書已經翻譯咗。有資訊嘅流失,因為原文入面有字遊戲、詩韻同深奧嘅字母數學。同埋,幾千年前嘅農業人嘅心態,而家唔容易理解。喺某啲宗教入面,信徒要學習原始語言,噉佢哋先可以讀到佢哋嘅聖文。
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喺佛教宇宙學入面,有幾個天堂同幾個地獄世界,我諗我哋嘅地球可能只係其中一個地獄世界,浸信會新教同淨土佛教或者阿米德教相似,因為佢哋都只需要信仰一個超人,即係耶穌 或者分別係阿彌陀佛。當然,佛教同基督教都有其他唔同嘅宗派。
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學習同玩棋嘅有害刺激已經傳播到全國各地,而城市同村莊都成立咗好多練習呢個遊戲嘅俱樂部 ...... 棋只係一種非常劣等嘅性格嘅娛樂,它奪走咗心靈嘅寶貴時間,而呢啲時間可能會用嚟做更高尚嘅成就,而對身體冇任何好處。棋已經獲得咗好高嘅聲譽,因為佢係一種紀律心靈嘅手段,但係從事坐姿職業嘅人永遠唔應該練習呢種冇氣氛嘅遊戲;佢哋需要戶外練習 —— 唔係呢種精神角斗。
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呢個係2012年11月29號。布拉迪斯拉夫嘅現實觀好擠迫。我由細到大嘅現實觀係,既然微觀世界,即係我嘅本地社區,就好似沙漠噉,生命,特別係智慧嘅生命,係稀有同珍貴嘅,噉我嘅現實觀,即係由「嗰度」嘅世界組成,亦都係荒蕪嘅,所以我嘅現實觀係冇微觀世界同宏觀世界嘅不和諧,呢個知識係由邊個嚟嘅?
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There is a
revolution coming. It
will not be
like revolutions of
the past. It
will originate with the individual and with culture, and it
will change the political structure only as
its final act. It
will not require violence to
succeed, and it
cannot be
successfully resisted by
violence. It is
now spreading with amazing rapidity, and already our laws, institutions and social structure are changing in
consequence. It
promises a
higher reason, a
more human community, and a
new and liberated individual. Its ultimate creation will be a
new and enduring wholeness and beauty — a
renewed relationship of
man to
himself, to
other men, to
society, to
nature, and to
the land. This is
the revolution of
the new generation.
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有一場革命嚟緊,佢唔會好似過去嘅革命噉。佢唔會需要暴力先可以成功,亦都唔可以用暴力成功抵抗。佢而家以驚人嘅速度傳播緊,而我哋嘅法律、制度同社會結構已經因此而改變。佢承諾一個更高嘅理性,一個更人性化嘅社群,同埋一個新嘅同解放嘅個體,佢嘅最終創造將會係一種新嘅同持久嘅整體性同美 —— 人同自己、同其他人、同社會、同大自然同土地嘅重新關係。呢個係新一代嘅革命。
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Similarly, a
house cannot arise without a
builder, particularly a
house adorned with miraculous works of
art, wondrous designs, and amazing ornaments. As
much art has been put into one of
its stones as
into a
whole palace. No
intelligence will accept that it
could arise without a
builder; definitely it
needs a
master architect. Moreover, within the building, veritable rooms take shape and change each hour with the utmost order and ease, just as if
clothes were being changed, or as if
scenes were passing across a
cinema screen. We
can say even that numerous little rooms are constantly being created in
each of
those scenes.In like manner, the cosmos also requires an
infinitely wise, all-knowing and all-powerful maker.
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「同樣,一間屋如果冇建築師就唔會出現,特別係一間用奇蹟藝術品、奇妙嘅設計同驚人嘅裝飾裝飾嘅屋。喺其中一塊石頭入面投入咗幾多藝術品,就好似喺成個宮殿入面一樣。冇智慧會接受佢可以喺冇建築師嘅情況下出現;絕對需要一個建築師大師。而且,喺建築物入面,真正嘅房就會成形,如果每個鐘都可以輕鬆噉換衫,就好似每個鐘都可以輕鬆噉換衫。」我哋可以話,即使係每個場景都不斷創造緊好多小房間。同樣,宇宙亦都需要一個無限智慧、全知全能同全能嘅創造者。」
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呢個係2012年10月14號。大約係04:20,朝早,當我喺阿根廷布宜諾斯艾利斯嘅 Radio Cultura 聽緊巴拉圭嘅原住民音樂,我諗起,對於好多拉丁美洲人同西歐人嚟講,佢哋嘅偏好係奇幻類型,而唔係科幻小說科幻,因為佢已經成為咗我嘅一部分,科幻同奇幻係兄弟,而且兩者都喺一個叫做「投機小說」嘅雨遮之下,對我嚟講,接觸宗教思想嘅效果同接觸奇幻文學或者其他媒體嘅效果相似。
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Whatsoever therefore is
consequent to a
time of
Warre, where every man is
Enemy to
every man; the same is
consequent to
the time, wherein men live without other security, than what their own strength, and their own invention shall furnish them withall. In
such condition, there is no
place for Industry; because the fruit thereof is
uncertain; and consequently no
Culture of
the Earth; no
Navigation, nor use of
the commodities that may be
imported by
Sea; no
commodious Building; no
Instruments of
moving, and removing such things as
require much force; no
Knowledge of
the face of
the Earth; no
account of
Time; no
Arts; no
Letters; no
Society; and which is
worst of
all, continuall feare, and danger of
violent death; And the life of
man, solitary, poore, nasty, brutish, and short.
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所以,無論係咩,係戰爭時代嘅結果,每個人都係每個人嘅敵人;因為佢嘅果實係唔確定嘅;因此,冇地球嘅文化;亦冇航海,亦冇使用可能透過海上進口嘅商品;冇寬敞嘅建築物;冇移動嘅工具,同埋拆走呢啲需要大量力量嘅嘢;對地球嘅面冇認識;冇時間嘅記錄;冇藝術;冇信;冇社會;最慘嘅係,不斷恐懼,同埋暴力死亡嘅危險;而人嘅生命,孤獨、窮、討厭、殘酷同短暫。
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